In the last 10 years or so, it’s been thrilling to see public art programs gain traction across so many cities. Why have a boring wall when you can have a colorful one? And Montreal lived up to the hype! The black and white is particularly special.
All of these were in the Plateau neighborhood, most around Boulevard Saint Laurent and Little Portugal.
Building on my trip to the forest the next day I continued the nature bathing at Montmorency Falls (aka Chutes de Montmorency) located on the eastern edge of Quebec City. This trip fell just before autumn colors, but I got a small glimpse of the season to come.
Fun fact about me: If there is a funicular, gondola, or aerial tram in the area — any ride that goes high up and has a view, even a ski lift will do — I am on it. And this trip had 3 of them!
In addition to a gondola, the falls also offered a bonus suspension bridge. As I leaned over the railing to get a better look at the falls below, I had flashbacks of my scared-of-heights mother freaking out when we climbed up on guardrails at the Grand Canyon. For those who don’t enjoy flying in glass boxes or just want a challenge, there are some rather intimidating stairs available.
Once I crossed the suspension bridge I found myself near the edge of the park, and realized I wasn’t far from a bus stop that would take me back to Vieux Québec. I almost always focus on the destination more than the journey, but in this case I’m glad I took the slow route. Buses travel where people live, winding through neighborhoods that tourists usually don’t see. In this case, Beauport Quartier 5-4 and its picturesque houses that my architecture vocabulary is not sufficient to describe. My Google-fu is letting me down on that front as well. If I ever figure out more about these houses I’ll let you know!
It took me almost 20 years from the time I bought a travel book for Québec — so long ago guidebooks were still relevant — to setting foot in the province. But I made it! And while I’m not the most unconventional traveler I do seek experiences that are less tourist-y and, ideally, something you could only do in that place. In Québec City, that experience was Onhwa’ Lumina in Wendake, home of the Huron-Wendat people.
I grew up in Arizona, surrounded by the history and artistry of the Tohono O’odham, Hopi, and Navajo people (among others) as well as their reservations. So learning that Québec has a First Nations reserve just outside downtown was a unique opportunity that could not be missed!
Onhwa’ Lumina is a forest night walk through a series of illuminated stories that celebrate Huron-Wendat heritage. I started out in a crowd, and lagged behind in the early stations so that I could shed the group and have the forest to myself. That had the side benefit of slowing my mind down, seeing past the spectacle and being more fully present. It was a poetic and beautiful experience.
This kind of multimedia site installation is quite difficult to do well and this was even better than expected. Tellement fantastique! After some tiring days, being immersed in the forest and storytelling was exactly what I needed to reset.
This clip is one of the most elaborate pieces, the creation of Turtle Island. In the legend, a sick A’taentsik falls from the Sky World and is saved from falling into the Water World by birds. She lands on the back of the Great Turtle, who calls the Animal Council to help heal her by bringing up earth from around the roots of a submerged tree. The Beaver, Otter, and Muskrat try but fail, and finally a grandmother Toad succeeds and with her last breath deposits earth on the turtle’s back. This forms the foundation of the continent known as Wendat, and life flourishes. This visualization plays out on a rocky hillside, using the terrain as a canvas for the story.
Before nightfall, I had time to explore a nature park along the lovely Saint-Charles River including the waterfall known as Kubir Kouba. This is where two geologic regions meet — the St Lawrence Lowlands and the Canadian Shield. And after that, dinner of a delicious bison short rib at the indigenous restaurant Sagamité.
This was a fantastic evening, one I will always remember.
To be honest, Las Vegas isn’t my kind of town. I’m not much into gambling, shopping, spas, or shows…and that leaves pretty much just food. Oh, and one of my oldest and best friends, who is the reason I occasionally visit this gaudy, ridiculously hot town.
One thing Vegas does have that speaks to my design soul is neon. And the best place to see vintage goodness is at the Neon Boneyard, a dusty outdoor refuge for signs sacrificed to continuous reinvention. Here you not only see the gorgeous colors, typography, and artistry of the signs themselves but also the accidental, layered compositions created by stacking them in. Since my last trip, they’ve restored enough to have nighttime tours which is very cool (as well as cooler, literally).
Don’t be surprised if you walk into my house one day and find that it feels a little like Wes Anderson’s Asteroid City. (I’m halfway there already with my color palette.) It’s a film worthy of many rewatches, not for the story but to live in that creamy, dreamy, surreal desert diorama for another hour and forty-five minutes.
The desert is my soul home, so I’m a sucker for the landscape and motifs as it is. But from the gorgeous suite of colors to the Looney Tunes backdrop, the creative direction of Asteroid City is truly stunning. It’s a work of art. Every frame is a beautiful, dynamic composition. The costuming signals character and builds an immersive world. There’s whimsy in every vending machine, auto shop prop, and road to nowhere.
I was especially taken by the lighting, which is overwhelmingly bright yet lush — not surprising as they used the sun as a primary light source. There’s a picnic scene staged under a lattice pergola, casting dappled light on the conversations. It’s not only visually interesting, but there’s something about the grid of shadow and light…half hidden, half exposed…checkered. Can’t quite put my finger on why this feels so important. Maybe I don’t have to explain it, it’s okay to simply enjoy it.
Off to rewatch!
Allsteel was a deep brand project for my team at Bounteous — over many months we listened to buyers and partners, mapped every moment in the client journey, envisioned the brand shift they sought, and ultimately delivered a strategy and tagline of Designed to Do More. With the unveiling of their new Experience Center in Chicago, I’m thrilled to see it live in the world. Check out this video tour!
So many of the insights we uncovered are reflected in this new center. This is the larger, more inspiring space that the architects and designers craved. It welcomes more collaboration, which is needed to conceive and deliver complex, human-centered environments. It embodies more flexibility and ways to reinvent when needs change. It showcases more thoughtful details that reflect how thoughtful Allsteel is about creating spaces and designs.
It is an experience designed to do more. Congratulations to Allsteel and the HNI family!
Last year my long-term relationship evaporated overnight. While I can’t say there were no warning signs, they were certainly faint.
Silver linings from that have been similarly faint. But one upside has emerged in the wake of another painful loss — my mother, the other most important person in my life, died this fall. The warnings signs were louder this time, though the end was still very sudden.
Sadly, because of that earlier grief, I am more prepared for this one.
It doesn’t lessen this new pain, of course. How I wish it did! What it did do was show me how deep grief works so that I was not so surprised this time around. Surprised by how the early shock makes you think it might not be so bad. How the waves overtake you in small moments when the conscious mind lets go. How continuously exhausted you can be simply from feeling so much. How every time you think you’ve hit bottom you find out you were wrong and there’s farther to fall.
Having foreknowledge has helped me be steady on my feet so I can support my father, who is thoroughly surprised by all this. Less than two months in, it is only getting worse for him just as he thought it would be getting better. Yet for all my understanding I can’t fix any of this, for him or for me.
