Back to 1968

The 1968 exhibit at OMCA is so packed with facts and experiences I needed a second visit to take it in. As years go, it’s hard to imagine many more momentous in modern U.S. politics and culture than 1968, considering the assassinations of King and Kennedy, a pivotal election, the Vietnam War, and countless civil rights clashes.

Balancing the social upheaval were charming artifacts of my childhood. The living rooms were comfortingly familiar, complete with glass grapes on the cabinet TV, mid-century furniture, and World Book encyclopedias. Between the homes of my family and neighbors, every single item was familiar. There were also fun collections of advertising and, naturally, plastic.

For me the biggest highlight was the TV nook, a nice mood lifter following the Vietnam War exhibit. It doesn’t sound like much on paper — cartoon-like MDF television frames housing clips of movies and shows  — but in execution it was a fantastically engaging, seamless symphony of audio and video. There’s a particularly nice moment in the beginning of the loop where Planet of the Apes melds into the Star Trek voiceover, drama contrasted by the gentle ending of Mister Rogers promising us a smile and a hello tomorrow.

OMCA creates relevant, contemporary exhibits that inspire me. I’m so privileged this is my local museum!

OMCA 1968 RFK

Earthquake mashups

Shawn Clover, 1906 + Today: The Earthquake Blend

This photo mashup series by Shawn Clover that merges images from the 1906 earthquake and San Francisco today is a fantastic concept, with stunning execution.

From the artist:

To put these photos together, I first create a catalog of historical photos that look like they have potential to be blended. Unfortunately most of these photos end up on the digital cutting room floor because there’s simply no way to get the same photo today because either a building or a tree is in the way. Once I get a good location, I get everything lined up just right. My goal is to stand in the exact spot where the original photographer stood. Doing this needs to take into account equivalent focal length, how the lens was shifted, light conditions, etc. I take plenty of shots, each nudged around a bit at each location. Just moving one foot to the left changes everything.

I am in awe.